Augustus Wendell
Augustus Wendell is Assistant Professor of the Practice of Art, Art History & Visual Studies at Duke University. His work researches the application of digital spatial modeling and analysis in
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Augustus Wendell is Assistant Professor of the Practice of Art, Art History & Visual Studies at Duke University. His work researches the application of digital spatial modeling and analysis in
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Mathias Hinke studied composition at the Manhattan School of Music in New York, Art-History and Musicology at Humboldt Universität in Berlin and Physics at the Freie Universität Berlin. Since 2003
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Sarah Riazati is a documentary artist who uses moving images and computational techniques to tell true stories that build bridges between unexpected connections. She is a graduate of the School
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Ava Navarro is a undergraduate student majoring in global cultural studies with a concentration in film and media and pursuing a documentary studies certificate. She serves as president of the
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Mingyong Cheng, originally from Beijing, China, is now a California-based new media artist delving deep into the intricacies of AI and generative art. As a Ph.D. student in Art Practice
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Candice Hopkins, a citizen of Carcross/Tagish First Nation in Yukon, Canada, is an independent curator and writer now based in Albuquerque, New Mexico. She is a curator for documenta 14,
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Indrani Saha is Social Practice Lab independent study student. She is in the fourth year Program II undergraduate student and distinction candidate at Duke University. Her studies represent an area of
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Salima Al-Ismaili is a second year candidate in the MFA in Experimental and Documentary Arts program at Duke University, class of 2017.
Haoyang Zhao is a second year candidate in the MFA in Experimental and Documentary Arts program at Duke University. He serves as the Project Manager at FHI Social Practice Lab,
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Frannie Sensenbrenner
Nato Thompson joined Creative Time in January 2007. Since then, Thompson has organized such major Creative Time projects as The Creative Time Summit (2009–2015), Pedro Reyes’ Doomocracy (2016), Kara Walker’s A Subtlety (2014), Living as
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I see my work as a consecutive set of acts and ideas that complement and interrupt the flow of the everyday. It’s a chain of routine-breaking routines. My role as
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